![]() ![]() I have tested the various Gamma with backlight situation and I found that Cinema2 performs best on my Tv where I watch my clips. Which leads to my current favorite profile that is a customised PP6 setting the parameters that I have changed are: There are two main uses of the black gamma: get deeper blacks without altering the overall contrast this is obtained using the Narrow setting and a value between -3 and -7 or use the Wide setting with negative values to give the whole image a darker tone.Ī setting of Wide with level around -3 gives an overall darker tone to a Cinegamma if you don’t want to change the blacks in post and remains overall balanced. What it means is that Narrow really works on the deeper blacks as you move to Wide you are altering also the grey and effectively changing the balance of the whole image.įor what concerns the level a positive value will move black towards grey and a negative value shift grey towards black. The range determines where the setting will be effective.īroadly speaking Narrow works on the first 10% of the signal, medium around 20% and wide around 30-35%. However if you intend to use the cine profiles straight out of the camera you can tweak the black gammas accordingly. ![]() If you are going to grade your footage of and if you are going to use the video gammas PP1-PP4 you should not touch the black gammas otherwise you risk crushing the blacks. This has 2 controls, one is the Range Narrow, Medium, Wide and the other is the level that goes from -7 to +7 In order to increase depth of blacks it is possible to use the black gamma setting. You can see that the dynamic range is the same for PP5 and PP6 so the fact that the camera records more grey levels does not really change things as the cine2 curve is smoother so it can accept higher input signals. So the only profile that is broadcast compatible before editing is PP6 or the Cine2 gamma curve. Ultimately you need to decide what is that you are shooting for and if your clips are going to be played on a computer that works in RGB or on a Tv that has YUV. On the other hand if you use a clip with range 16-235 on a computer that has 0-255 luminance range it will look as lacking deep blacks or whites. In particular video broadcasting legal luminance is 16-235 so if you use a clip produced at 0-255 the extremes will be clipped this is anyway resolved as the levels are mediated when clips are produced for compatibility. You will somewhere find the definition of limited for 16-235 and full for 0-255 this is what it means. Some people confuse luminance with dynamic range but they are not the same thing. What this means that you have in the first case 256 grades of grey and the in the second 220. People familiar with the Panasonic GH4 will know that you can set luminance fundamentally in two ranges: 0-255 and 16-235. Luminance determines the range of black and white that are in the footage. In this post I will focus on the luminance and black gamma. ClipWrap Alternative Mac version can rewrap HDV (m2t) and AVCHD (mts, m2ts) files and other media files into QuickTime MOV, MP4, Apple ProRes, AIC, DNxHD or DVCProHD to import to Final Cut Pro,įCPX, Avid Media Composer, Adobe Premiere Pro, Apple iMovie, QuickTime, iTunes, iPad, iPod, iPhone, Apple TV.I have done some further research on the picture profiles and found out quite a bit of information.ClipWrap for PC version can convert AVCHD, MTS, M2TS, M2T, HDV, MXF, Apple ProRes, MOD, TOD, MPG, MP4, MOV, MKV, XAVC, R3D, FLV, WebM etc to Windows more supported video format like AVI, WMV,ĪSF, DV, MPG for import to Windows Movie Maker, Adobe Premiere, Sony Vegas, Windows Media Player and other devices.Or Mac equivalent supports even more media formats, cameras, and media player or editing software. ![]() Furthermore, this ideal ClipWrap for Window Acting as the professional ClipWrap Alternative, iDealshare VideoGo has both Windows and Mac version and supports all the features that ClipWrap have. ![]()
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